The yarn baby lasted a good month, emitting dry, cotton-soft gurgles and pooping little balls of lint, before Ogechi snagged its thigh on a nail and it unravelled as she continued walking, mistaking its little huffs for the beginnings of hunger, not the cries of an infant being undone. By the time she noticed, it was too late, the leg a tangle of fibre, and she pulled the string the rest of the way to end it, rather than have the infant grow up maimed. If she was to mother a child, to mute and subdue and fold away parts of herself, the child had to be perfect.
Yarn had been a foolish choice, she knew, the stuff for women of leisure, who could cradle wool in the comfort of their own cars and in secure houses devoid of loose nails. Not for an assistant hairdresser who took danfo to work if she had money, walked if she didn’t, and lived in an “apartment” that amounted to a room she could clear in three large steps. Women like her had to form their children out of sturdier, more practical material to withstand the dents and scrapes that came with a life like hers. Her mother had formed her from mud and twigs and wrapped her limbs tightly with leaves, like moin moin: pedestrian items that had produced a pedestrian girl. Ogechi was determined that her child would be a thing of whimsy, soft and pretty and tender and worthy of love. But first she had to go to work.
You are viewing: Who Will Greet You At Home
She brushed her short choppy hair and pulled on one of her two dresses. Her next child would have thirty dresses, she decided, and hair so long it would take hours to braid, and she would complain about it to anyone who would listen, all the while exuding smug pride.
Ogechi treated herself to a bus ride only to regret it. Two basket weavers sat in the back row with woven raffia babies in their laps. One had plain raffia streaked with blues and greens, while the other’s baby was entirely red, and every passenger admired them. They would grow up to be tough and bright and skillful.
The children were not yet alive, so the passengers sang the call-and-response that custom dictated:
It was a joyous occasion in a young woman’s life when her mother blessed life into her child. The two girls flushed and smiled with pleasure when another woman commended their handiwork (such tight, lovely stitches) and wished them well. Ogechi wished them death by drowning, though not out loud. The congratulating woman turned to her, eager to spread her admiration, but once she had looked Ogechi over, seen the threadbare dress, the empty lap, and the entirety of her unremarkable package, she just gave an embarrassed smile and studied her fingers. Ogechi stared at her for the rest of the ride, hoping to make her uncomfortable.
When Ogechi had taken her first baby, a pillowy thing made of cotton tufts, to her mother, the older woman had guffawed, blowing out so much air she should have fainted. She’d then taken the molded form from Ogechi, gripped it under its armpits, and pulled it in half.
“This thing will grow fat and useless,” she’d said. “You need something with strong limbs that can plow and haul and scrub. Soft children with hard lives go mad or die young. Bring me a child with edges and I will bless it and you can raise it however you like.”
When Ogechi had instead brought her mother a paper child woven from the prettiest wrapping paper she’d been able to scavenge, her mother, laughing the whole time, had plunged it into the mop bucket until it softened and fell apart. Ogechi had slapped her, and her mother had slapped her back, and slapped her again and again till their neighbors heard the commotion and pulled the two women apart. Ogechi ran away that night and vowed never to return to her mother’s house.
At her stop, Ogechi alighted and picked her way through the crowded street until she reached Mama Said Hair Emporium, where she worked. Mama also owned the store next door, an eatery to some, but to others, like Ogechi, a place where the owner would bless the babies of motherless girls. For a fee. And Ogechi still owed that fee for the yarn boy who was now unravelled.
Read more : Who Sells Bales Of Hay Near Me
When she stepped into the Emporium, the other assistant hairdressers noticed her empty arms and snickered. They’d warned her about the yarn, hadn’t they? Ogechi refused to let the sting of tears in her eyes manifest and grabbed the closest broom.
Soon, clients trickled in, and the other girls washed and prepped their hair for Mama while Ogechi swept up the hair shed from scalps and wigs and weaves. Mama arrived just as the first customer had begun to lose patience and soothed her with compliments. She noted Ogechi’s empty arms with a resigned shake of her head and went to work, curling, sewing, perming until the women were satisfied or in too much of a hurry to care.
Shortly after three, the two younger assistants left together, avoiding eye contact with Ogechi but smirking as if they knew what came next. Mama dismissed the remaining customer and stroked a display wig, waiting.
“Mama, I—”
“Where is the money?”
It was a routine Mama refused to skip. She knew perfectly well that Ogechi didn’t have any money. Ogechi lived in one of Mama’s buildings, where she paid in rent almost all of the meagre salary she earned, and ate only once a day, at Mama’s canteen next door.
“I don’t have it.”
“Well, what will you give me instead?”
Ogechi knew better than to suggest something.
“Mama, what do you want?”
Read more : Who Is Responsible For Replacing Windows In A Condo
“I want just a bit more of your joy, Ogechi.”
The woman had already taken most of her empathy, so that she found herself spitting in the palms of beggars. She’d started on joy the last time, agreeing to bless the yarn boy only if Ogechi siphoned a bit, just a dab, to her. All that empathy and joy and who knows what else Mama took from her and the other desperate girls who visited her back room kept her blessing active long past when it should have faded. Ogechi tried to think of it as a fair trade, a little bit of her life for her child’s life. Anything but go back to her own mother and her practical demands.
“Yes, Mama, you can have it.”
Mama touched Ogechi’s shoulder, and she felt a little bit sad, but nothing she wouldn’t shake off in a few days. It was an even trade.
“Why don’t you finish up in here while I check on the food?”
Mama was not gone for three minutes when a young woman walked in. She was stunning, with long natural hair and delicate fingers and skin as smooth and clear as fine chocolate. And in her hands was something that Ogechi wouldn’t have believed existed if she hadn’t seen it with her own eyes. The baby was porcelain, with a smooth glazed face wearing a precious smirk. It wore a frilly white dress and frilly socks and soft-soled shoes that would never touch the ground. Only a very wealthy and lucky woman would be able to keep such a delicate thing unbroken for the full year it would take before the child became flesh.
“I am looking for this Mama woman. Is this her place?”
Ogechi collected herself enough to direct the girl next door, then fell into a fit of jealous tears. Such a baby would never be hers. Even the raffia children of that morning seemed like dirty sponges meant to soak up misfortune when compared with the china child to whom misfortune would never stick. If Ogechi’s mother had seen the child, she would have laughed at how ridiculous such a baby would be, what constant coddling she would need. It would never occur to her that mud daughters needed coddling, too.
Where would Ogechi get her hands on such beautiful material? The only things here were the glossy magazines that advertised the latest styles, empty product bottles, which Mama would fill with scented water and try to sell, and hair. Hair everywhere—short, long, fake, real, obsidian black, delusional blond, bright, bright red. Ogechi upended the bag she’d swept the hair into, and it landed in a pile studded with debris. She grabbed a handful and shook off the dirt. Would she dare?
After plugging one of the sinks, she poured in half a cup of Mama’s most expensive shampoo. When the basin was filled with water and frothy with foam, she plunged the hair into it and began to scrub. She filled the sink twice more until the water was clear. Then she soaked the bundle in the matching conditioner, rinsed and towelled it dry. Next, she gathered up the silky strands and began to wind them.
Round and round until the ball of hair became a body and nubs became arms, fingers. The strands tangled together to become nearly impenetrable. This baby would not snag and unravel. This baby would not dissolve in water or rain or in nail-polish remover, as the plastic baby had that time. This was not a sugar-and-spice child to be swarmed by ants and disintegrate into syrup in less than a day. This was no practice baby formed of mud that she would toss into a drain miles away from her home.
Source: https://t-tees.com
Category: WHO