This song was written by Chris Christian and Bill & Gloria Gaither, and was made most popular by the Cathedrals, included on their album, Something Special.
Chris Christian (born February 7, 1955) is an American songwriter, record producer, and a record label executive. His songs have been recorded by some of the top artists in Pop and Gospel music. William J. Gaither (born March 28, 1936) is an American singer and songwriter of Southern gospel and Contemporary Christian music. He has written numerous popular Christian songs with his wife Gloria; he is also known for performing as part of the Bill Gaither Trio and the Gaither Vocal Band (GVB). In the 1990s, his career gained a resurgence (as well as the careers of other southern gospel artists), as popularity grew for the Gaither Homecoming series. Gloria Gaither (born March 4, 1942) is a Christian songwriter, author, speaker, editor, and academic. She is the wife of Bill Gaither and together they have written more than 700 songs. She performed, traveled and recorded with the Bill Gaither Trio from 1965 through 1991. Since 1991, she has served as a performer, recording artist, songwriter, scriptwriter and narrator for the Gaither Homecoming series of television broadcasts, video and DVD releases, and audio recordings.
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The Cathedral Quartet, often known as simply The Cathedrals, was an American southern gospel quartet that began in 1963, as a trio consisting of former California based Weatherford Quartet lead singer Glen Payne and two other singers. Initially an evangelical house gospel group of The Cathedral of Tomorrow, the Weatherfords moved on and the group used the Cathedral as inspiration for naming themselves The Cathedral Trio. The group became a quartet by adding Blue Ridge Quartet bass singer, George Younce, in 1964, which caused the newly formed quartet became even more popular. In 1969, the group decided to pursue full-time status as a traveling quartet, leaving the Cathedral of Tomorrow ministry. The group signed on with the Canaan records label. The quartet landed its first big break when gospel and Christian music performer and promoter, Bill Gaither, invited the group to perform at his annual Praise Gathering in Indianapolis, Indiana, and, shortly afterward, they were inundated with requests for appearances. The group’s popularity continued to rise with their newly minted identity, and the comedy routines of Younce and Payne created a dynamic that caused the following of the group to grow. When two of the four left to pursue their own group, Payne and Younce hired a young Kirk Talley (from the Hoppers) and then hired Steve Lee to sing baritone and serve as pianist. Talley was a popular addition to the group and his songwriting and vocal abilities combined with his youthfulness continued to attract southern gospel fans. The Cathedrals climbed in popularity and became firmly established as one of Southern Gospel’s prime groups. Right before 1980, the group hired Roger Bennett as the pianist after hearing him play for a local group that was opening for the Cathedrals; another solid addition came in the form of Mark Trammell, bass guitarist and baritone vocalist from the Kingsmen.
I first heard the Cathedrals while attending college in the early and mid 1980s.
This song speaks of many of the events and emotions felt on that Passion weekend that connected the Cross to the Empty Tomb. Bible Reference… Matthew 2:27-28:20; Mark 15:33—16:8; Luke 2; 23:44—24:12; John 2:1-11; 19:29—20:18.
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They all walked away, with nothing to say; they’d just lost their dearest Friend. All that He said, now He was dead. So this was the way it would end. The dreams they had dreamed were not what they’d seemed, now that He was dead and gone. The garden, the jail, the hammer, the nail… how could a night be so long?
CHORUS: Then came the morning, night turned into day… the stone was rolled away; hope rose with the dawn. Then came the morning, shadows vanished before the sun; death had lost and life had won, for morning had come.
The angel, the star, the kings from afar, the wedding, the water, the wine… now it was done, they’d taken her son; wasted before His time. She knew it was true; she’d watched Him die, too. She’d heard them call Him “just a man”, but deep in her heart, she knew from the start somehow her son would live again. (CHORUS 2x)
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