Prompt: “There is no such thing as a new idea” – Mark Twain. Are any pieces of art, literature, philosophy, or technology truly original, or just a different combination of old ideas? Pick something, anything (besides yourself), and explain why it is, or is not, original.
As I entered the bare-walled room, I could see the sky was painted blue through the tinted windows. It was my first day in my new high school where I’d have to spend the next two years. I wanted to make new friends.
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I started walking towards a boy, introduced myself and exchanged pleasantries. After a few minutes of conversation, the topic of music came up and I introduced him to my love for the iconic classical ambient hit ‘Clair de Lune’. He put on my headphones, the song started playing, and he was amazed by the music’s ethereal, mellow, and serene chords. Or so I thought.
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You know that awkward feeling when you show a funny video to your friends and nobody laughs? It was equivalent to that.
As days passed, I started noticing everyone was only listening to the loud pounds of the bass, the buzz saw synths, the crispy hi-hats, and every other element found in Electronic Dance Music, also known as EDM. Realizing that people in my school didn’t like Clair de Lune because they were emotionally invested in only the EDM genre, I had an idea- “What if I create an EDM remix of Clair de Lune to reach out to the audience of both genres?”
I tried to understand what the composer was trying to express through his composition and attempted to create an impression of the classical piece. The main challenge was to add musical elements from relatively two of the most unconventional music genres- Classical and EDM. Incorporating the rich and sometimes heart-wrenching chord structure of Clair de Lune to the multiple layers of EDM saw synths, I adjusted the volume of my instruments to the intensities with which the notes needed to be played and panned the sound in different directions to set the appropriate ambiance.
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A few weeks later, I uploaded my work to the various Discord music servers that I am a part of with shaky hands. Nervous of what people might interpret my work to be, I awaited the replies I would receive. The server was filled with users from North America, and since I was in India, I realized that most people weren’t active at midnight when I uploaded my mix. I called it a night and went to sleep. When I woke up, my inbox was flooded with a mix of appreciations and suggestions. The users from the server really liked my idea and it went on to become a weekly competition where everyone would try to incorporate multiple genres into one song. I also made my classmates listen to the mix and later made friends who were interested in music production.
Music has constantly been transcending and bridging different identities cross-culturally through the fusion of genres. The key lies in capturing the emotions and the structure linked to the song, but most importantly, working to understand diverse cultures.
This raises a critical question- are the genres we listen to now truly unique on their own or just a complex amalgam of countless genres throughout history? The answer is that it depends on how experienced an artist is at the art of impression. Honoring instead of degrading, studying instead of skimming, crediting instead of plagiarizing, and transforming instead of imitating will lead an artist to a remix instead of a rip-off. As an artist keeps repeating this process, they’ll make unique decisions- maybe they’ll add an inimitable form of reverb on the synth or include a cymbal crash in their alien music structure. Regardless, those small changes and preferences- in the long run- will amount to a magnitude of alteration in style and develop a completely new identity for an artist. This is when the art practically becomes original while bearing into itself countless unoriginal remixes and impressions of different songs, artists, and genres.
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